- September 22, 2006
- Julia Moulden is speaking about The New Radicals at Salon Voltaire.
Location: Jamie Kennedy at the Gardiner Museum (Toronto)
To order tickets visit: salon-voltaire.com
- September, 2006
- Toronto Life Fashion
I Quit! Tralee Pearce considers the perks, problems, and practicalities of the mid-career shift. Profiles Julia Moulden.
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- Archives
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- Rotman Management: Brand U, Why Branding Yourself Makes Sense
- In todays talent-centric workplace, it makes sense to brand yourself as a unique entity, say Adjunct Professor of Marketing David Dunne and communications consultant Julia Moulden. Branding yourself focuses your thinking on what the marketplace needs and what your competitive advantage is, and can help you discover how to best serve your customers or employers needs over the long term.
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- Investment Executive: Brands are for people, too
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Outside The Box
Brands are for people, too
By Lara Hertel
Rilla Clark, a Toronto-based executive coach, hopes the tag line
"lasting change" will create an identity for her business,
as "Just do it" has for Nike and "You deserve a
break today" has for McDonald's.
The tag line is the latest creative effort by Clark, who is trying
to emulate the marketing smarts of the masters in selling her
services internationally. One of a growing legion of professionals
who are making the transformation to their own brands, Clark has
launched her very own "Me Inc.".
Branding, once used to create product awareness through a name
or logo, has reached new heights in shaping the way consumers
view the wide array of products and services from which they can
choose. Today, a brand name conveys much more than just a product
on the market; it presents a desire lifestyle, attitude or belief.
Nike's "Just do it" campaign, for instance, doesn't
just promote athletic gear; it also offers consumers the promise
of a healthy lifestyle and the persona of someone who takes an
active approach to life.
Now that idea is being extended to people who, like Clark, provide
a marketable service. When the 56-year-old psychotherapist began
working as an executive coach in 1996, she quickly realized her
skills alone wouldn't set her apart in an already crowded marketplace.
"I thought about myself as a consumer looking for a coach
would, and how I'd find the right person to meet that need,"
she says. "It became apparent that I had to be really clear
about what I had to offer."
Clark explained her situation to Julia Moulden, president and
CEO of The Bee's Knees Communications Inc. in Toronto. The pair
had met at a creativity workshop, and last summer they developed
a working relationship to help Clark distinguish herself from
a throng of other professionals. The proposed solution? Turn her
into a brand name.
"The strength of branding is it gives people a way to think
of themselves and what their values are," says Moulden. "A
good brand isn't just an image; it's substance. It's a promise
of value."
Clark's branding efforts began with an examination of her "core
values", the attributes with which she most identifies: honesty,
curiosity for learning, and optimism, to name a few. Next, she
looked at the things she does best, followed by how those skills
could benefit a consumer. Clark decided that, as an executive
coach, her strength is in helping clients increase their awareness
of their current behavioural practices so they can sustain change.
Fittingly, the slogan that appears on her business card and stationery
reads: "Lasting change: for people and teams in transition,
a change process that lasts."
The importance of a brand in the minds of consumers should never
be ignored.. When Coca-Cola attempted to re-energize its brand
by introducing "New Coke" in 1985, no one predicted
the public outcry. Thousands of loyal Coca-Cola drinkers called
in protest.
Market research showed cola drinkers actually preferred a taste
similar to that of the new drink. What marketers failed to recognize,
however, was that they were tampering with the world's most beloved
brand names. It seemed no-one was eager to part with the original
Coca-Cola and all the perceived American values that went
along with it for a new flavour, no matter how good it tasted.
Coca-Cola executives got the message, and less than 80 days later,
they reintroduced Coca-Cola Classic to a nation that embraced
it enthusiastically. Today, the company calls the debacle "an
intelligent risk" that revolutionized the soft-drink industry.
What happened at Coca-Cola proves that consumers play just as
large a role in the making of a brand as the company that creates
it. As big as a brand name can become, Moulden says, it has limitations.
"The big risk," she warns, "is doing something
completely different from your core identity."
A brand has three main components, say Moulden and David Dunne,
adjunct professor of marketing at the University of Toronto, in
an article entitled "Brand U: Why branding yourself makes
sense", in Rotman Management magazine's Fall 2003 issue:
o The core identity refers to the unchanging part of a personal
brand, and must accurately depict what or who the brand is. The
extended identity looks at what the brand can offer outside of
what is immediately evident. For instance, Kraft has built a name
that conveys an image of convenient, consistent-quality, reasonably
priced food. Now, the company is addressing the rise of obesity
in an ongoing campaign that includes providing nutritional information
on its products, advocating health and fitness education in schools,
and capping the size of its single-portion products. o The third
component is the brand's potential identity the future direction
a brand can take, given its core identity. Consider Dove soap,
for example. The well-known beauty bar, which boasts "one-quarter
moisturizer", made it possible for its manufacturer to launch
its current skin- and hair-care product line. Still, a brand extension
must adhere to the brand's core values. It's unlikely a name such
as Dove, which emphasizes gentle personal-care products, would
introduce an abrasive detergent.
That's not to say companies haven't tried to extend their brand
past certain limitations. Bic, the manufacturer best known for
its disposable pens, razors and lighters, failed to compete in
the perfume market in the late 80's because consumers associated
the brand with affordability and convenience positive attributes
for razors but not for fragrances, Dunne and Moulden note.
"A brand is really all about what you stand for," says
Sharon McAuley, director of brand marketing in Toronto at Transcontinental
Media, the media arm of Transcontinental G.P., which publishes
Investment Executive.
In the publishing industry, magazines and newspapers connect
to their readers through editorial content. Transcontinental's
Canadian Living magazine has branded itself with the slogan "Smart
solutions for everyday living", targeted at women aged 25
to 54. An extension of the brand includes a Web site, special
edition cookbooks and sponsored televised health segments.
Moulden warns that the most successful brands, whether they represent
a person of product, are those that don't necessarily scream out
a message. "The world has been overbranded, so your message
has to be subtle," she says. "The best brands are organic."
So why the push to become a brand in a world already awash in
logos?
Moulden offers one good reason: branding is crucial in setting
yourself apart. "People need to achieve their goals in a
competitive market", she says.
The next step in Clark's transformation into her own brand will
be to launch her personal Web site. She's comfortable in her role
as a branded professional, a position she credits to her brand's
accurate reflection of who she is.
"I'm not going to bend out of my comfort zone to meet the
needs of a customer who doesn't feel right," she says. "That's
the benefit of a brand. You can be clear about what you will do
and what you won't."
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- Toronto Star: Carol Goar on the need for prepared remarks
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Toronto Star
By Carol Goar
He makes it look effortless
Few politicians are as quick with a quip or secure in the spotlight
as Jack Layton.
The leader of the New Democratic Party can speak without notes,
extemporize without stumbling and deflect awkward questions without
hostility.
There is one slight problem. He's so good at winging it
that he has a tendency to skimp on preparation.
Twice in the past week, the NDP leader delivered important public
speeches in Toronto. Both were entertaining, but unfocused.
His first address was to a roomful of policy-makers, academics,
diplomats and journalists at a lunch organized by the Institute
for Research on Public Policy. It was an ideal opportunity to
highlight his party's platform and show that the political left
is capable of disciplined, innovative thinking.
Instead, Layton flitted from issue to issue. He touched on global
warming, the importance of investing in cities, the future of
the auto industry, the need to overhaul the electoral system and
the realignment of Canada's right wing parties.
His speech contained some memorable lines. "I have long
lusted after the name Progressive," he said, referring to
the proposed merger between the Progressive Conservative party
and the Canadian Alliance. "I hope they jettison it so we
can take it on."
But Layton had no unifying theme. He made sloppy mistakes. (He
said the unemployment rate was at a 40-year high. In fact, it
stands at 8 per cent, well below the 14 per cent it reached in
1983.) He didn't deal with any topic in enough depth to convince
listeners that his party had practical, affordable policies.
Two days later, Layton spoke at a Rotary Club luncheon at the
Royal York Hotel. His audience consisted of about 120 business
people. Many knew Layton well. He had been a member of the club
from 1994 to 1998.
Again, he performed without a script. Again, his delivery was
impressive. His jokes were well timed, his anecdotes touching.
But something was missing; that extra bit of heft that turns a
fine presentation into a persuasive argument.
Layton talked about the need to restore public services such
as home care, post-secondary education and urban transit. He reminded
Rotarians of some of his local achievements; Toronto's first wind
turbine and the retrofitting of hundreds of schools. And he predicted
that the era of tax cuts was nearing its end.
"I think we can actually turn the country around,"
he said. "I am gong to ask for a society-wide debate about
our values."
There was the germ of a compelling message in his address. Had
he fleshed it out with cost-effective proposals to improve Canadians'
quality of life, he might have left people thinking, not just
clapping.
It's not as if the NDP lacks ideas. Since Layton has become leader
in January, it has developed some solid, well-researched policies.
Its auto strategy, for example, is much more creative than anything
put forward by the Liberals or the provincial premiers. Rather
than using government handouts to stem the decline of the auto
industry, the NDP says, Ottawa should employ tax incentives, environmental
regulations, and research grants to make Canada a world leader
in alternative fuels.
Similarly, its smog reduction strategy is worth examining. The
NDP proposed a National Environmental Infrastructure Investment
Program to upgrade municipal water and sewage treatment plants,
improve recycling, recover wasted energy, retrofit public buildings,
and create thousands of sustainable jobs.
These programs don't lend themselves to 30-second television
clips. But Layton has already proved that he can command media
attention. He needs the kind of credibility that doesn't come
from press scrums or publicity stunts.
Now is the ideal time to earn it. The Liberals are too preoccupied
with their succession problems to concentrate on their election
platform. The Canadian Alliance and the Tories won't even be in
a position to think about policy until they¹ve decided whether
to merge and chosen a leader.
While his opponents sort out their internal affairs, Layton has
a chance to engage Canadians in a substantive debate about the
country's future. While his right-wing rivals attempt to consummate
their marriage of convenience, he has an opportunity to show that
there is fresh thinking on the left.
The dividends would be appreciable. Although the NDP has little
realistic hope of leapfrogging from fourth place to Official Opposition
in the next election, it could play a pivotal role in Canada's
38th Parliament.
Incoming Prime Minister Paul Martin has been open to Layton's
environmental initiatives in the past. The Liberals have looked
to the left for policy ideas before.
But the New Democrats have to demonstrate that they are a serious,
sophisticated urban party.
Layton understands the challenge. But he is like a kid who's
always been able to ace an exam without studying.
This time, a little homework would be in order.
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- Globe and Mail: Christopher Plummer, mum, and me
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An audience with a thespian king
Meeting with Christopher Plummer after a performance of
King Lear briefly brought back my mother's youth.
By JULIA MOULDEN
Globe and Mail
November 28, 2002
"Christopher is doing King Lear at Stratford, and I'd like
us to go." That's how Mum put it when she canvassed her children
for our interest in joining her.
This was no ordinary query. If not quite Lear's test of his daughter's
love, it was certainly much more than an evening at the theatre.
Christopher Plummer was a persistent ghost in our home. In the
early 1950s, my parents were part of a circle of artists and journalists
with the CBC at its hub. Christopher was the baby of the group,
but always played a starring role in Mum and Dad's stories about
parties with lots of drink and passionate singing around the piano.
Of course we would go to Stratford.
The big day finally arrived and, like Lear, we faced a dramatic
storm. The first snowfall of the year delayed us, and we missed
the curtain. As we stood watching the opening acts on the lobby
monitor, I asked Mum if we were going backstage. "You know,
I never heard from him."
At a break in the performance, we were ushered to our seats on
tiptoe. And then, there he was -- older, but still an impressive
figure at centre stage. He quickly had us leaning forward in our
seats, eager for every word and gesture.
At intermission, I went looking for the house manager, explained
the history, and asked if we might go backstage. He promised to
contact the stage manager, who would inquire with "Mr. Plummer."
I checked back just as the house lights signalled the performance
would soon resume. "Meet him at the stage door," was
all he could offer.
"Well," my mother said icily when I returned. "I
think not." Fair enough.
We settled into our seats and got lost again in the tragic story
of a man whose family breaks apart, who fears the loss of control
that can come with age, and who longs to know he is still loved.
The actors won our hearts. After a standing ovation, Christopher
walked off stage with arms outstretched, capturing the energy
of our applause in his own elegant hands. I leaned over and said
to Mum, "Oh, let's do it!"
Hoping that the sight of my seventy-something mother, her eye
blackened by a recent fall, would move the stage manager -- perhaps
by bringing the blinding of Gloucester to mind? -- I made one
more attempt. He stood his ground, but offered gently, "There's
a waiting area. You won't be standing in the snow."
Mum and I descended the stairs outside the lobby, crossed the
loading ramp, and joined a small, excited group. A wave of departing
actors greeted us with unaffected faces and warm appreciation
for our murmured bravos. Calling out "Good night!" to
one another, they seemed less like celebrities than a group of
bus drivers just off shift, out of uniform, and eager to get home.
We stood quietly for a moment, close to the stage door. People
trickled by. Then, an old man in a sweater and a fleece scarf
was nearly past us when I recognized him. "Christopher Plummer,
I'm Julia Moulden, and this is my mother, Dollie." "Oh,
yes, the note," he replied.
And then my mother and this man from her past stood as closely
together as they might have 50 years ago, talking quietly. Too
soon, a gangly young man with an autograph book in his hand pressed
forward. "Mr. Plummer, I saw your performance this evening."
And the moment was over.
Outside, I asked, "What did he say?" Mum said that
his first words were the very gracious, "Remind me,"
and that they'd simply reminisced about old friends, some of whom
-- including my father -- were no longer living. Then, we hugged.
She cried a little, and thanked me for being so persistent. "I
don't like the word 'closure,' but I guess that's what this is."
Holding her in the shadows of the Festival Theatre, as the snow
fell softly all around us, she was no longer my mother. She was
the pretty young woman who moved to the city to follow her dreams.
Who met an exciting group of smart and talented people. Who married
one of them, and started a family. In that instant, as I watched
her look back on her life and take its measure, I felt I knew
her for the first time.
And then, she was all Mum once more. "We'd better rejoin
the others, dear. Watch yourself on the stairs, they're slippery."
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